One Who Flew Over the Cuckoos Nest :: Ken Kesey

Chief is the narrator because if McMurphy were the narrator, he could not quite be telling the story as a fable. He would be empowered to control the path of the narrative--if he were still sane. But Chief, who has not been lobotomized but freed, recounts McMurphy's story and takes the lesson to the outside world. He becomes the messenger. Chief Bromden believes in the "fog" and the power of the "Combine." The fog is, on an individual level, a kind of mental dimness or confusion that also represents the thickness of delusion and suffering that prevents the inmates from seeing their true situation and their true selves. The Combine is, on a social level, a repressive institution and all the individual wheels and cogs in it that ensures that the inmates stay quiescent. When McMurphy supposedly oversleeps and is discovered, we must question the depth of his motivation to escape. McMurphy has found deep fulfillment in helping the men in the ward, especially Bromden, despite his increasing personal frustration. But he also has been letting his frustration distance himself somewhat from his initial efforts at leadership. McMurphy may well be the kind of person who is immoderate in his desires and who might end up oversleeping even while he might have preferred to escape. McMurphy has figuratively disrobed Nurse Ratched, disempowering her and because she has been exposed as human. Her power over the men is further broken, despite her clear victory over McMurphy as an individual. "Thoughts are free," but if part of one's brain has been removed, one does not even have much in the way of thoughts. Ratched has been stripped of much of her authority, her credibility in the overall institution has been further eroded, and Bromden finally gains the independence to escape. Nurse Ratched is nominally the villain, but she symbolizes a somewhat broken institutional system and the problems of a larger, repressive society that subjugates individualism to conformity. She is part of the Combine, and another upon her demise will likely take her place in the machine. Still, she is particularly cruel at a level beyond that of the other doctors and nurses. One Flew Over the Cuckoo's Nest, by Ken Kesey, each character is a representation of something else. Randle McMurphy represents an outside world/nature and Nurse Ratched represents the inside world and is a manipulator. However, Chief Bromden is different. He is depicted as an adherent, the balance between the outside and inside world, and a follower of McMurphy.

The Evaluation Of Complicite Theatres Film Studies Essay

This essay will analyze the in deepnesss of the dramas and public presentations of ‘Complicite Theatre ‘ . The dramas I have chosen are ‘The Street of Crocodiles ‘ and ‘Mnemonic ‘ . These two dramas will experiment the theory of the theatrical manners and what the theater is all about. It will besides give an thought the elements of each drama. By making this, I shall show an rating of the theatre company I have chosen and the two dramas produced from it. The ‘Complicite Theatre ‘ otherwise known as the ‘Theatre de Complicite ‘ started in the twelvemonth 1982 by a lesser unit of performing artists inspired by Gallic practician, ‘Jacques Lecoq ‘ ( Luckhurst and Giannachi, 1999: p.67 ) . They chose to use their physical activity in dramatic advancement and to get down a touring ‘physical theater ‘ show unit. The performing artists told their narratives during non-textual and movement-based shows by associating to anticing and mimicing. This became the start of what would turn out to be one of the really new advanced theater company groups in the United Kingdom ( Schulz, Wheatley and McBurney, 1999: p.2 ) . The ‘Complicite Theatre ‘ is unusual as they have the accomplishment to measure the aesthetics which include the set, illuming, sound undertaking, live show and text. Their use of all these rudimentss in mixture with their exceeding movement-based show attack causes them a ch ief criterion of popular postmodern theater. The ‘Complicite Theatre ‘ is the declaration of the fresh postmodern and obsessed scientific and industrial clip. Peoples live their lives in pieces, assortment and support has accepted that and set it on phase to analyse. On another note, an English practician, Simon McBurney is one of the set uping representatives of the ‘Complicite Theatre ‘ ( Luckhurst and Giannachi, 1999: p.67 ) . Of every 26 shows in its 25 active old ages, the initial cardinal public presentation piece the ‘Complicite Theatre ‘ made was ‘The Street of Crocodiles ‘ in the twelvemonth 1992 which was inspired by the life and histories of Polish dramatist, Bruno Schulz ( The New York Times, 2000: p.327 ) , ( Innes, 2002: p.539 ) . The ‘Complicite Theatre ‘ furthermore created and made a different show called, ‘Mnemonic ‘ . The attainment of this show has achieved a batch of awards and considerable blessing. It ‘s show of ‘The Street of Crocodiles ‘ has a broad scope of dramatic attacks. The production is a created illustration of dramatic piece as it increases the trouble of the production ‘s intense art work. Although it is ‘Simon McBurney ‘ who presented the show, the initial footing substance begins with the creative activity of Bruno Schulz who made this show populace in his composed pieces ( Normington, Govan and Nicholson, 2007: p.99 ) . The piece completed in the production and construct of ‘Complicite Theatre ‘s ‘The Street of Crocodiles ‘ and the physical show literacy becomes highly meaningful. ‘Jacques Lecoq ‘s techniques are a principle foundation for the physical piece analysis which considers the completion and creative activity of this presentation manner. The actions which need Lecoq ‘s dramatic animalism in this show are common. These techniques let the histrions to merely concentrate on their characters ‘ actions that are being represented ( Callery, 1999: p.88 ) . There is besides a different chief illustration although the ‘Complicite Theatre ‘s physical piece is employed to develop the show ‘s linguistic communication in the domestic alterations. However, the Complicite Theatre can be argued that it may hold elements from the ‘Theatre of Absurd ‘ ( Cornwell, 1999: p.321 ) . ‘The Street of Crocodiles ‘ often has the position made popular by ‘Absurdism ‘ dramatists but the significance is separate. The drumhead and intimations from the ‘Theatre of Absurd ‘ have become familiar and that is why there is certain possibility of expecting the action. The seeable metaphor influence that is employed by the ‘Complicite Theatre ‘ contains certain exact base. The techniques and public presentation trusts its witnesss who have a critical apprehension with the method ‘s mode and feeling. Its presence is intended to finish the creative activity of a changed angle point of view. There are illustrations from ‘The Street of Crocodiles ‘ where the attack so matches the absurdness thought factual word picture ( Cornwell, 1999: p.89 ) . The attack has combined certain bound likewise to the type that is being employed to explicate the importance want of the ‘Theatre of Absurd ‘ plants and Hagiographas. Action is sometimes represented beyond the likely common recognized sphere with the intent of explicating its insignificance for this purpose and aim. Character ‘s assignments are either dedicated or uneven in reduplication with the intent of explicating their characteristic influence and purpose want. Scenes are enacted in impractical scenes with the intent of explicating the position of adult male and adult female staying in emptiness with no accomplishments and purpose to command their development. All these thoughts are non go oning with the lite rature of Schulz and they are irrelevant which influences this dramatic production ( Cornwell, 1999: p.89 ) . The characteristic weakening job is moreover discovered at this point to important influence. ‘The Street of Crocodiles ‘ expresses on happening importance and purpose. However, it is a characteristically distinguishable endowment attack and there is cogent evidence of detecting purpose and importance during the show as it is employed to pull typical terminations whereas a comparable attack is assigned. Conversations are presented to hold no value or use often in ‘The Theatre of Absurd ‘ public presentations. Their exact inadequacy of influence and purpose can be known by the emptiness on which they remain to hold no significance. Conversations lose their importance after characters find they can non use them to talk at all. Additionally, the likely consequence trouble of communicating causes legion developments in ‘The Street of Crocodiles â₠¬Ëœ . The characters verbalize in multiple distinguishable communications across the production ‘s duologues. Finally, the ‘Complicite Theatre ‘s ‘The Street of Crocodiles ‘ show helps from unifying an sum of typical attacks at the same time and possibly doing a new one in the development. They help a distinguishable purpose than that for which they are normally consumed whereas the rudimentss of ‘Absurdism ‘ are obvious. The mimicing piece combined into the signifier of the illustration allows the production ‘s communicating strength and yet the motion is by no agencies represented by itself. There is surely no peculiar basic facet from the right types at all on that this formation attractive force is used by itself. Harmonizing to Simon McBurney, a show public presentation is a place which requires to be populated with each of the purpose and the beginning that is connected by a wholly resolute manner ( McBurney, 2003: p.5 ) . As for another production of the ‘Complicite Theatre ‘ called ‘Mnemonic ‘ , it is about beginnings and memory as it discovers the uneven feature of memory peculiarly as it concerns uniqueness and peculiarity which resolves about beginnings along with the European historical position and it examines the expressive demand of baffled formations ( Braidotti, 2006: p.165 ) . The memory uneven features is articulated across the production ‘s devised formation and its use of straightforward changed set pieces, confused sound effects, different lighting and props. The beginning thought is ever articulated during the production. The production has 38 short connecting scenes and it reads like a text every bit good as working without an interval. The production of ‘Mnemonic ‘ was besides invented by Simon McBurney on behalf of the ‘Complicite Theatre ‘ and it was created by the theatre company every bit good ( Rebellato and Delgado, 2010: p. 246 ) . Creating is a development of bring forthing theater which allows a gather of histrions to be realistically and materially artistic in the influencing and distributing of a alone creative activity which wholly starts from restyling, look intoing and telling people ‘s conflicting sphere apprehensions ( Oddey, 1994: p.1 ) . This illustration gives itself to the establishing styles ‘Complicite Theatre ‘ attempts to do. In relation to the production of ‘Mnemonic ‘ , McBurney felt like he needed to do a production on topics he discovered exciting and of import to his period which consists of stableness, population and its nexus to memory. He so proposed the construct to his company group and as they like the thought, they started their development of the drama ‘s creative activity. Nevertheless, the memory position is non merely the thought which shaped it into the complicated production. This common, hard and artistic undertaking made the produ ction of ‘Mnemonic ‘ a postmodern art work of complicated industrial and scientific public presentation intents along with the little public presentation every bit good as the legion secret plans. The common constitution and making method is non another modern and modern-day originative modus operandi but the ‘Complicite Theatre ‘ is different in the event that it creates wholly. The theatre group includes a new position to it although it presents pre-devised traditional literature. This is an ordinary tradition in making as assorted theater groups see no struggles of developing created pieces and preceded dramas. This besides applies to the theater group ‘s alteration of the two. Harmonizing to ‘McBurney ‘ , in his ain words, he said, â€Å" There is a funny and really different esthesis when you seemingly have something in your custodies: A drama and when you have nil but fragments, garbages, and imaginings when you are inventing. Yet que erly I feel I start from the same topographic point: until I start to experience and see something, there is nil. † ( Luckhurst and Giannachi, 1999: p.67 ) The ‘Complicite Theatre ‘ and ‘Simon McBurney ‘ have been making a typical theater manner soon for 25 old ages and it has created an influence ( Keefe and Murray, 2007: p.15 ) . On the other manus, the production of ‘Mnemonic ‘ influences everyone who feels it in a really much specific mode with its intense frequent concerns of beginnings and memory. The ‘Complicite Theatre ‘ is the rule theater sphere in the 21st century due to its dramatic design which consists of the dramatic methods range that is a serious manner to content. In add-on to that, it is an enhanced cognition to aesthetic and advancement every bit good as the important survey subjects which people ‘s beliefs have to look into the postmodern age. ‘The Complicite Theatre ‘ shows are often really physical. It is invariably really much visible and it is frequently utilizing misdirecting complex accomplishments and cognition employs following to the antediluvian show piece methods. It clearly can non be cut down to the page but the ‘Complicite Theatre ‘s astonishing methods are overpoweringly staged in the production of ‘Mnemonic ‘ ( Luckhurst and Holdsworth, 2008: p.195 ) , ( Harvie, 2005: p.142 ) . As celebrated, the production of ‘Mnemonic ‘ is a dramatic, industrial and scientific pattern devised as a hard-pressed and brilliant stopgap production in relation to remembrance and the typical public presentation of memorising. The ‘Complicite Theatre ‘s new modern and modern-day shows employ accomplishments and cognition to their benefit and the production of ‘Mnemonic ‘ is a hypermedia experience as it employs complicated textual sound scheme, picture and jutting images every bit good as programmed lighting which is wholly connected closely with the theater group ‘s characteristic physical theater attack and originative public presentation. In add-on to that, the production of ‘Mnemonic ‘ is the ‘Complicite Theatre ‘ pieces alone illustration with its stamp mixture of expressive images, images, narrative, motion and interactive multimedia ( Normington, Govan and Nicholson, 2007: p.193 ) . It is a primary illustration to analyze its industrial and scientific advancements in the theatre clip for its postmodern attack every bit good for the manner in that the illustration was made as it displays the theater group ‘s capableness to do postmodern plants of art seeable. McBurney besides said in respects to the production of ‘Mnemonic ‘ , â€Å" We live in a clip where narratives surround us. Multiple narratives. Constantly. Fragmented by telecasting, wireless, print, the cyberspace, naming to us from every billboard and go throughing us by on every st reet corner. We no longer live in a universe of the individual narrative. So the sherds of narratives we have put together, some longer some shorter, collide here in the theater, reflecting, reiterating, and germinating like the act of memory itself. † ( Callery, 1999: p.88 ) The lone manner for the production of ‘Mnemonic ‘s interweaving narratives to be told was through its multiple avenues. By now I believe I have evaluated each public presentation of the ‘Complicite Theatre ‘ and the two dramas I have chosen. I think the ‘Complicite Theatre ‘ may hold complicated elements and at the same clip, the ‘physical theater ‘ elements are helpful. ‘The Street of Crocodiles ‘ and ‘Mnemonic ‘ are influential dramas and with the secret plans and narrative plot lines which come with it, it adds a meaningful accent on what the dramas are approximately. On behalf of the ‘Complicite Theatre ‘ , Simon McBurney has played a cardinal function in these productions due to his creativeness. I believe these productions have advanced techniques that will go on to act upon more people in old ages to come. Braidotti, Rosi. Transpositions: On Nomadic Ethics. Cambridge, UK: Civil order, 2006. Print. Callery, Dymphna. Through the Body: A Practical Guide to Physical Theatre. London: Nick Hern, 2001. Print. Cornwell, Neil. The Absurd in Literature. Manchester: Manchester UP, 2006. Print. Delgado, Maria M. , and Dan Rebellato. Contemporary European Theatre Directors. London: Routledge, 2010. Print. Giannachi, Gabriella, and Mary Luckhurst. On Directing: Interviews with Directors. New York: St. Martin ‘s Griffin, 1999. Print. Govan, Emma, Helen Nicholson, and Katie Normington. Making a Performance: Devising Histories and Contemporary Practices. London: Routledge, 2007. Print. Harvey, Jen. Staging the UK. Manchester: Manchester UP, 2005. Print. Holdsworth, Nadine, and Mary Luckhurst. A Concise Companion to Contemporary British and Irish Drama. Malden, MA: Blackwell Pub. , 2008. Print. Innes, Christopher. Modern British Drama: The Twentieth Century. Cambridge, U.K. : Cambridge UP, 2002. Print. McBurney, Simon, Mark Wheatley, and Bruno Schulz. The Street of Crocodiles. London: Methuen, 1999. Print. McBurney, Simon. Complicite — dramas, 1: The Street of Crocodiles, The Three Lives of Lucie Cabrol, Mnemonic. London: Methuen Drama, 2003. Print. Murray, Simon David, and John Keefe. Physical Theaters: A Critical Introduction. London: Routledge, 2007. Print. Oddey, Alison. Inventing Theatre: A Practical and Theoretical Handbook. London: Routledge, 1994. Print. Schulz, Bruno, Bruno Schulz, and Bruno Schulz. The Fictions of Bruno Schulz: The Street of Crocodiles, and Sanatorium under the Sign of the Hourglass. London: Pan, 1988. Print. Shiel, Mark, and Tony Fitzmaurice. Screening the City. London: Verso, 2003. Print. The New York Times Theater Reviews. New York, NY: Timess, 2000. Print.

History Has Been Recorded - Free Essay Example

Sample details Pages: 4 Words: 1153 Downloads: 8 Date added: 2019/04/16 Category History Essay Level High school Tags: Industrial Revolution Essay Did you like this example? History has been recorded for such a long time to the point where choosing one topic was made quite difficult actually. However, I wanted to do something that actually influenced a great deal of humans in a way that would change the course of history and the course of human evolution as a whole in one topic. Then I quickly realized what better than the boom of humanity on this planet in the early 1800s because of a couple different inventions that had made humanity grow over 800 percent. From everything that we eat to the things that we do for fun in our time today has all been influenced by the Industrial Revolution in some way, shape, and/or form. If there was s simple way to identify the Industrial Revolution, quite simply it would the biggest game changer that humanity has ever experienced to make things just so simple and making the modern world, well, modern (Introduction to the Industrial Revolution). Don’t waste time! Our writers will create an original "History Has Been Recorded" essay for you Create order I think one of the biggest things that the Industrial Revolution had an impact on right away would be the fact that people mostly had lived on the countryside but with the tremendous growth of cities and the jobs associated with them created an extremely quick sense of urbanization in the new world (Introduction to the Industrial Revolution). That is just one of the many single successes that the Industrial Revolution had in the short run, however, with time there have been so many other advancements. For example, the use of medication, computers, and even things like the average salary has had an influence from it in some way. It was literally something that improved so many lives in such a short span of time. To more deeply explore what the Industrial Revolution is and what it really it really means is also quite simple actually. It literally happens when a large sum of people find way to improve life from using things like rocks and sticks to acquiring the usage of fire, coal, e tc. in order to power up many factories and machines as well. The origin of the Industrial Revolution originally came from England but then gradually moved across the world into the North America continent in the early 1820s (Introduction to the Industrial Revolution). Now with the current knowledge that we know about it, we know that it started in 18th century and also the inventions that also probably made the Industrial Revolution such a big success because of transcontinental railroad the cotton gin, electricity and other inventions too that permanently changed society forever (History Industrial Revolution). However, these inventions were only the icing on the cake. One of the actual changes that this had brought was the fact that the transportation industry quite literally sucked before this change. Materials and goods were literally transported using horses and boats on rivers and canals (History Industrial Revolution). A man named Robert Fulton built the first steamboat that were eventually able to trade with other countries outside of North America with so much efficiency (History Industrial Revolution). Another example would include the first railway steam locomotive that was built and designed by Englands own Richard Trevithick that was finished sometime by the 1830s. Englad had finally came up with a way to be able to transport people around. In another case, a man named John McAdam developed a new process for road construction making roads very, very smooth to use. There are still some things to the Industrial Revolution that many people still probably have no clue until this day. For example, the it was divided into the first and second Industrial Revolution in a sense that even in the 19th and 20th centuries, there were many uses for basic materials. Around this time, we had also been utilizing lighter metals, newer alloys, and plastics, as well as new energy sources on top of that (Britannica). With all of these uses coming together all at once, it gave the rise to completely automated factories such as the assembly line which was arguably the most and major significance in the second part of the Industrial Revolution. Now, everything had changed, such as common stock was becoming more available by individuals so now there also a greater rift between the commoner, the poor, and especially the wealthy. After the rise of the Second Industrial Revolution governments also had no choice to meet the demands of the people in a way where they had to such social and economic adjustments to things like pricing and consuming (Britannica). On the other hand, even with all of the positives that the Industrial Revolution had seemingly brought upon us, there were also some things that it had done that was not so great either. Because of the Industrial Revolution, our population size has blown up from what was originally 670 million people in the 1700s to only three hundred years later to being at around 7 billion people (Khan Academy). Without a doubt, almost everyone in this world enjoy the uses that it has brought upon us. We have so many things at our disposal likes our laptops, computers, phones, cars, buildings, and homes integrated with so much power and technology that at some level came from the Industrial Revolution. Nowadays, it is crazy to believe how much power we use even for the simplest things like powering a lightbulb to something extremely difficult like powering up our homes. Another great cost from this can be something like how much technology needs to keep up with the increasing appetite and greed that humans tend to have in order to make them happy. We are using up so many of our natural resources that are determinantal to our survival. Things that we should be taking care of like our soils, oceans, atmospheres, environments, plants, and animals are all at risk because it seems like we need something from all of it (Khan Academy). Women also had an extremely big change in the time of the Industrial Revolution as well in greater ways that you can possibly imagine. It finally lifted womens eternal role from the kitchen to more versatility to work outside of their homes (Ducksters). But, the most important thing was the fact that it birthed the womens right movement from one major event. The Lowell Mill Girls. It was a factory that hired women in the textile mill industry known as the mill girls. It gave many women opportunities to get away from the farm into a more factory setting, however, it came with a big cost. Factory owners did not treat their employees at all, and also payed women less first of all (Ducksters). As the industrial revolution was taking place, the same time the civil war had begun opening women to even more opportunities that men would typically have but also started to flourish in jobs like being teachers, office clerks, nurses, and seamstresses (Ducksters).